Ava Dettling 4/28/25 Ava Dettling 4/28/25

Beyond the scenes: An exploration of the Film and Media Studies community

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Ava Dettling 4/25/25 Ava Dettling 4/25/25

Bryan Miller talks the end of the world in his senior thesis

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Ava Dettling 4/18/25 Ava Dettling 4/18/25

Coffee with Creatives: Enter the magical world of Holly Simon

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Ava Dettling 4/4/25 Ava Dettling 4/4/25

Coffee with Creatives: Spaghetti, meatballs and Fat Morgan

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Ava Dettling 3/26/25 Ava Dettling 3/26/25

Reframing history at ‘Women Take the Reel’ film festival

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Ava Dettling 3/7/25 Ava Dettling 3/7/25

Coffee With Creatives: Tim Leong conquers the silver screen

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Ava Dettling 2/21/25 Ava Dettling 2/21/25

Coffee with Creatives: Ian Choi, a master in the making

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Ava Dettling 2/7/25 Ava Dettling 2/7/25

Coffee with Creatives: Mofe Akinyanmi takes control of her sound

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Ava Dettling 10/16/24 Ava Dettling 10/16/24

Blood, guts and butts galore: ‘The Substance’ attempts feminist horror

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Ava Dettling 9/24/24 Ava Dettling 9/24/24

‘MaXXXine’ is not quite the ‘Star’ it should be

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Ava Dettling 9/11/24 Ava Dettling 9/11/24

‘Blink Twice’: A raucous, chilling, but desperate endeavor

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Ava Dettling 5/20/23 Ava Dettling 5/20/23

Senior Profile: Athena Nair discusses activism and the arts

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Ava Dettling 4/18/23 Ava Dettling 4/18/23

Declan McKenna’s long-awaited ‘Big Return’

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Ava Dettling 3/29/23 Ava Dettling 3/29/23

Matt Ruskin applauds quality journalism in true crime narrative ‘Boston Strangler’ 

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Ava Dettling 3/16/23 Ava Dettling 3/16/23

WEEKENDER: Deconstructing the male gaze at ‘Women Take the Reel’ film festival  

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Ava Dettling 3/2/23 Ava Dettling 3/2/23

Strip and show me the meat! The secret substance of ‘Magic Mike’s Last Dance’

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Ava Dettling 2/14/23 Ava Dettling 2/14/23

'Somebody I Used to Know' in the words of Dave Franco and Alison Brie

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Ava Dettling 11/17/22 Ava Dettling 11/17/22

WEEKENDER: The ethics of true crime television

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Ava Dettling 10/7/22 Ava Dettling 10/7/22

'Pearl': A farmer’s daughter goes for the kill

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